Billionaire Japanese rings in new era
TOKYO - AFPWith a single post on Instagram, Yusaku Maezawa announced not only his purchase of a $110.5 million Basquiat masterpiece, and his place in auction history, but arguably signaled a new era for art in Japan.
The price, a record for the artist, is reminiscent of 1980s Japan when corporate big-spenders splashed out on Impressionist art along with foreign property and businesses in an asset-buying spree.
But billionaire Maezawa insists he is just an “ordinary collector” despite his extraordinary bank balance. His purchases are born out of love and driven by gut instinct, rather than the instructions of any art advisor.
“I buy simply because they are beautiful. That’s all. I enjoy classics together with the history and stories behind them, but possessing classics is not the purpose of my purchase,” he said.
Rather than squirrel away his latest purchase, Jean-Michel Basquiat’s 1982 “Untitled,” a skull-like head in oil-stick, acrylic and spray paint on a giant canvas, he plans to loan it out to galleries worldwide.
“I hope it brings as much joy to others as it does to me, and that this masterpiece by the 21-year-old Basquiat inspires our future generations,” he said after the New York sale last month.
The 41-year-old’s style is a step change from the corporate image of Japan’s traditional art collectors who possess paintings as investment tools or to cement their social status.
Paper tycoon Ryoei Saito, who bought Vincent Van Gogh’s “Portrait of Dr Gachet” in 1990 for $82.5 million, a then record, and Pierre-Auguste Renoir’s “Bal du Moulin de la Galette” for $78.1 million, famously triggered outrage when he said he would have the canvases put in his coffin and cremated with him when he died. He later recanted.
“Many Japanese rushed to buy paintings for investment during the bubble economy,” said Shinji Hasada, an official at Shinwa Art Auction, of the 1980s and 1990s boom period.
Customs figures showed works of art valued at $246 million were imported in 1985, but the figure shot up to $3.4 billion in 1990. But many of the bubble-era masterpieces were sold off in a fire sale when the Japanese economy collapsed. Today Japan’s art collection market has shrunk to around one-twentieth of its peak, Hasada explained.
An aspiring rock star as a teen, he moved on to selling music merchandise via mail order and then online. In 1998 Maezawa founded Start Today, which operates the nation’s largest online fashion mall, ZOZOTOWN.
Today, he is 11th richest person in Japan with a fortune of $3.5 billion, according to business magazine Forbes.
His Instagram feed, where he proclaimed to the world that he was the one who purchased Basquiat’s painting, is peppered with shots of his luxury living including private jets, yachts and designer watches, but also his beloved art.
Many traditional collectors are more secretive, “Untitled” had previously not been seen in public for decades but Maezawa wants to engage a new generation with his passion, some 73,000 people follow his posts.
“I think Instagram is helping promote contemporary art in terms of information sharing,” he explains, adding that he has also used social media to discover and buy pieces from new talent. He founded the Contemporary Art Foundation in Tokyo, a boon for the city’s talent who feel they have finally found a champion.
Yukimasa Ida, a 27-year-old contemporary artist who has won the foundation’s special jury award, regards Maezawa as a “figurehead” of up-and-coming Japanese artists aiming to challenge the global art world.
“He is an encouraging collector, of a kind that has been hardly seen in Japan ... in terms of fostering and influencing young artists,” Ida said.
Maezawa said he wanted to introduce upcoming artists to a broader audience. “I’m happy that good works by young artists with limited chances will see the light of day by my purchasing them,” he added.
Next he plans to open a museum in Chiba, east of Tokyo, which will display his collection, which includes works by Pablo Picasso, Roy Lichtenstein, Andy Warhol and Jeff Koons.
It will also showcase his Basquiat pieces for which last year he paid $57.3 million for the artist’s painting of a horned devil.
But he plans to tour “Untitled,” which set a record for any U.S. artist at auction, showcasing it at galleries around the world.
“I wish to loan this piece, which has been unseen by the public for more than 30 years, to institutions and exhibitions around the world,” he said.