Director Angelopoulos dies in a road accident

Director Angelopoulos dies in a road accident

ATHENS - Agence France-Presse
Director Angelopoulos dies in a road accident

This photo shows late director Theo Angelopoulos (L) with Şakir Eczacıbaşı, the former chairman of İKSV.

Greek film director Theo Angelopoulos whose long, meditative films won him a clutch of top international awards including the Palme d’Or at Cannes, has died aged 76 after a road accident.

Angelopoulos succumbed to a brain haemorrhage at a hospital near the port city of Piraeus outside Athens late Jan. 24 after he was hit by a motorcycle while crossing a street, a hospital official said.
The director, a pioneer of the “new Greek cinema” of the 1970s, had been shooting his latest film “The Other Sea,” which dealt with the financial and political crisis that has rocked his home country and Europe.

Culture Minister Pavlos Geroulanos paid tribute to one “of the most important creators of the seventh art and an ambassador for Greek culture,” saying: “In his case, the term ‘irreplaceable’ takes on its full meaning.”

A director of arthouse movies characterised by long slow shots and atmospheric, sometimes dreamlike sequences, Angelopoulos has earned praise from industry peers including US director Martin Scorsese.
His movie “Ulysses’ Gaze,” set in the Balkans and starring Harvey Keitel, won the Grand Jury Prize and the International Critics’ Prize at Cannes and was named European Film of the Year by the critics in 1995. This success was followed by the Palme d’Or for “Eternity and a Day” starring Swiss actor Bruno Ganz in 1998.

“Angelopoulos can be counted as one of the few filmmakers in cinema’s first 100 years who compel us to redefine what we feel cinema is and can be,” screenwriter and cinema author Andrew Horton wrote.
The Greece he depicted in his four-decade career is far from the sun-drenched country of tourist brochures: instead, the camera often trains on a land that is harsh, mountainous, rainy and austere.
“Maybe it is sad, but my ancestor Aristotle said that melancholy is the source of creation,” he said in a 1999 lecture in Cannes.

In 2008 he told AFP in an interview: “I need to feel the winter, grey color to me is the most poetic. It allows me to leave the prison of my imagination, everything that is grey suits me.”

Occupation, fascism, dictatorship

Born in 1935 in Athens, Angelopoulos as a child lived through World War II and the Greek civil war of the late 1940s. The themes of occupation, fascism and dictatorship would recur in his movies.

He studied law and first wanted to become a writer or a poet. He went on to study literature at the Sorbonne then switched to film-making studies at the Institute of Advanced Cinematographic Studies in Paris. Back in Greece he became a film critic for a left-wing newspaper until it was banned by the military government. Now unemployed, he made his first movie, “Reconstruction,” in 1970, according to a biography on the Internet Movie Database. He directed more than a dozen films, most of them examining society in contemporary Greece.

He died on Jan. 24 after being hit by a motorcycle ridden by an off-duty police officer in a suburb of Athens.“He was admitted to an intensive care unit suffering from serious head injuries, internal bleeding and several fractures,” said George Georgiades, head of the intensive care unit at the private hospital.

The filmmaker suffered heart failure while in the hospital and eventually succumbed to his injuries, the physician told AFP. There was controversy over the fact that it took 35 to 40 minutes for the ambulance to arrive at the scene, according to witnesses. A representative of the paramedics’ union, Ioannis Houssos, in a radio interview bemoaned personnel shortages and poor maintenance of the car fleet after two ambulances sent to rescue the filmmaker had mechanical problems.

The director’s death led news bulletins, and newspapers voiced sorrow at the loss. The Kathimerini daily praised the director’s “new humanism”, while the Ethnos lamented the loss of a “poet of cinema.”